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• Binding: Hardcover

Customer Reviews

Most Helpful Customer Reviews

5 of 6 people found the following review helpful.
A brilliant legacy
By SUPER GT JUNKIE
This will almost certainly turn out to be Richie's final and most enduring book on Japanese cinema history, and what a book it is. For anyone starting out on J film, this is where you take your first steps - that's not to say the book is superficial or an 'idiot's guide to..' but it is simply the best overview there is. Richie's knowledge is unsurpassed. I note the anime spat referred to by the other reviewers here (is anime real cinema, or not?) and have to agree that it is, just as Toy Story is. But, I think Richie (and others) is right to treat it as a separate entity to pure cinematography and thus treat it as outside the real bounds of this serious book. There is more than enough coverage of anime elsewhere.If you only intend to get one book on J cinema, this should be it.

0 of 0 people found the following review helpful.
Must have book!
By O. T.
Good read but rather serious (but not academic) and there is no mention of any exploitation or pinku - Suzuki being tiptoed around is as far as the author strays from brainy/proper/required watching, which is fine but I enjoy all the bad stuff too!

9 of 13 people found the following review helpful.
The Best!!
By Swansea Dog
Anyone who knows anything about Japan and Japanese cinema knows Donald Richie is unsurpassed as a commentator on Japan's arts/culture, and its cinema in particular.This book is as brilliant an overview of Japan's postwar film history as you can get - and forget what the anime geeks say about him not paying enough attention to their field, because Richie is and always has been interested in pure cinema, not all the anime and CGI stuff which, despite what its supporters say, IS watched by vastly greater numbers of kids than adults in Japan (and anyone who claims otherwise has not lived in Japan long enough, if at all...) Anyway, there are more than enough specialist books out there for anime-otaku types without them needing to attack Richie for not giving their beloved 'artform' enough attention here. His strength has always been J-cinema from the postwar Golden Era through to roughly the end of the century. He's in his eighties now, and still churning out weekly articles (mostly book reviews, not cinema) for the Japan Times - always of a quality writers like Bryan Appleyard or Clive James would be proud of.Interested in real Japanese film? Then start here.Anime? Move along, nothing to see here - there's lots of specialist stuff available elsewhere.

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